Okay, you got me. I freely admit before all my fellow music lovers and audiophiles alike that I had a very specific ulterior motive when I noted in a recent Remaster Class column that the title track to Yes' September 1972 magnum opus Close to the Edge was my "second-favorite 5.1 mix." Following my primary intention of encouraging listeners to marvel at the fully enveloping scope of that song's truly amazing surround sound mix, I figured the next thing anyone reading said comment might wonder would be along the lines of, "Yeah, cool cool cool, that's great and all—but what's No. 1?"
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